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Thana Faroq: “A Photograph Is Never Innocent” – On Migration, Memory and What Images Cannot Hold

In this interview, photographer Thana Faroq discusses her Yemeni roots, unconventional academic path blending politics with photography, and acclaimed book 'I Don't Recognize Me in the Shadows'. She reflects on exile, identity, and long-term relationships with subjects in asylum centers, her use of text as image, mentorship of women photographers, and her debut film 'Imagine Me Like a Country of Love'.

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Photography

Thana Faroq: “A Photograph Is Never Innocent” – On Migration, Memory and What Images Cannot Hold

In this interview, photographer Thana Faroq discusses her Yemeni roots, unconventional academic path blending politics with photography, and acclaimed book ...

Showing Slide 1 of 2

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César Levy of 193 Gallery: Building a Gallery Beyond the Map of the Global South

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Alberto Essesi: Industrial Design, Risk, and the Courage to Innovate

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Ed Kashi: Four Decades of Witnessing Humanity Through Photography

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The history of Japanese photography is quite distinct from what we usually think of it, particularly post-war photography, because so much work was in black & white.I think Japan is something that we underestimated for many reasons, some of them cultural, some of them to do with language, but I think it’s important to fully understand the significance of Japanese photography.

I don't see myself as photographer. I am just seeing myself as someone who has skills and is using photography. When it comes to the actual idea of being a photographer and a physical image, I would say my images are not good images, they are not good pictures. They are not amazing photographs in that sense. I would say, I am more of a sculptor now.

I have a responsibility to reflect the breadth of photography that’s happening in the world today, as also to reposition some historical figures who I feel are important for the younger generation to know and appreciate and understand.

Last Interview

Manuela Wyszynski: Building Manushi and the Art of Curating Timeless Objects

Design

For Manuela Wyszynski, great design is never just about beauty. In this interview with Emaho, the founder of Manushi reflects on vintage objects, patina, craftsmanship and curation, explaining why the most meaningful interiors are built through memory, emotion and timeless pieces that are cherished, lived with and passed between generations.

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