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Photography

Begum Yamanlar: Memory, Ruin and Photographing Vanishing Spaces

Turkish photographer and visual artist Begum Yamanlar explores the fragile intersections of memory, architecture, landscape, and time. In this conversation with EMAHO, she reflects on vanishing spaces, Istanbul's evolving identity, photography as a medium of remembrance, AI, and why the unseen often reveals more than the visible.

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Photography

Begum Yamanlar: Memory, Ruin and Photographing Vanishing Spaces

Turkish photographer and visual artist Begum Yamanlar explores the fragile intersections of memory, architecture, landscape, and time. In this conversation ...

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The history of Japanese photography is quite distinct from what we usually think of it, particularly post-war photography, because so much work was in black & white.I think Japan is something that we underestimated for many reasons, some of them cultural, some of them to do with language, but I think it’s important to fully understand the significance of Japanese photography.
Simon BakerCurator, Tate Modern
I don't see myself as photographer. I am just seeing myself as someone who has skills and is using photography. When it comes to the actual idea of being a photographer and a physical image, I would say my images are not good images, they are not good pictures. They are not amazing photographs in that sense. I would say, I am more of a sculptor now.
Asger CarlsonArt Photographer
I have a responsibility to reflect the breadth of photography that’s happening in the world today, as also to reposition some historical figures who I feel are important for the younger generation to know and appreciate and understand.
Brett RogersCurator, The Photographers' Gallery

Last Interview

Kim Mupangilai: Memory, Material, and the Space Between Worlds

Design

New York-based Belgian-Congolese designer, interior architect, and Parsons School of Design educator Kim Mupangilaï works in the space where memory, identity, and material culture converge. Winner of the 2024 Boghossian Foundation International Prize, she reflects in this Emaho conversation on heritage, belonging, collectible design, and how Congolese influences and Belgian Art Nouveau shape her deeply personal design language rooted in cultural dialogue.

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Kim Mupangilai: Memory, Material, and the Space Between Worlds

Design

New York-based Belgian-Congolese designer, interior architect, and Parsons School of Design educator Kim Mupangilaï works in the space where memory, ...

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