Search
Close this search box.

Mathieu Asselin: Monsanto – A Photographic Investigation

Mathieu Asselin is a French-Venezuelan photographer artist specializing in documentary photography and portraiture related to social issues. He is based in New York City.He began his career working on film productions in Caracas, Venezuela, but shaped his photography practice in the United States.

USA – 

My photographic project investigates key milestones in Monsanto’s 100 years history by documenting communities whose lives were dramatically affected by unscrupulous policies of this corporation. During the last two years I’ve extensively travelled around the United States. I went to Alabama, West Virginia and Missouri to document communities located in the areas contaminated by Monsanto. Residents there have a very high level of cancer. In Pennsylvania and Ohio, I photographed children of U.S. Vietnam War veterans whose health was impacted through their parent’s exposure to Agent Orange. I met with families of farmers in Maine and Indiana: their businesses were endangered by Monsanto’s patent infringement laws on GMO seeds. The project combines environmental portraits, landscapes and archival materials.

 

Mathieu_Asselin_Monsanto_0006Monsanto’s Herbicide Handbook – To help customers to select herbicides for a particular crop, Monsanto produced a reference manual in 1971. The success of the herbicide Lasso had turned Monsanto’s struggling Agriculture Division around, and by the time Agent Orange was banned in the US and Lasso was facing increasing criticism, Monsanto had developed the weedkiller “Roundup”as a replacement. Launched in 1976, Roundup helped to make Monsanto the world’s largest producer of herbicides. 

 

My interest in Monsanto started five years ago through the conversations I had with my father. I began a meticulous investigation, researching archival materials, collecting Monsanto’s memorabilia and establishing contacts with various organizations working in related areas. This project is a window into the past and the present to better understand the future of this multinational. I want to expose Monsanto’s irresponsible and harmful activities. Many of them are barely known to the public. My intention is to raise public awareness in a moment when we are deciding the future of how and who will have control over food. And how we as consumers are going to relate to it.

 

Written and Photography feature by Mathieu  Asselin

Related Posts

Manik Katyal on Halil Koyutork’s “I am Playing Ping Pong Now” – Photography, Sexuality, Society

Turkey –  “”I fell into a state of mental and psychological distress after my divorce. That triggered me in a …

Veronica Fieiras: The Disappeared

Spain – Photography will never be able to run away from the memory’s territory and its stigma This is an …

Wenxin Zhang: FIVE NIGHTS, AQUARIUM

China –  Five Nights, Aquarium is a non-linear narration weaved by photographs and five short written works. I try to …

Colombian Gangsta and other stories – Kosuke Okahara

Japan –  In an attempt to find new ways of communicating a story, Kosuke has recently produced the first issue …

Anne De Gelas: L’amoureuse

Belgium – An (almost) perfect day – 4th April 2010 Max comes to wake us up quite early, he’s there …

Joanna Kinowska on Mateusz Sarello’s Swell – ‘For watercrafts the swell is more disturbing’

Poland –  The black book. Canvas. Pressed letters. The half poetic text is in English. The  photographs are black and …

Tsutomu Yamagata: Thirteen Orphans

Japan –  One day an old man in a plain suit sat next to me by a pond in a …

TiTo Mouraz: Open Space Office

Portugal – The series presented here was shot in Portugal over a 3-year period and represents a transformed landscape that portrays …

EMAHO Picks the Most Interesting Photobooks of 2014

“Just like every year, more and more photobooks were published in 2014. The importance and awareness of making a photobook …